As well as being an artist, Emil Nolde was a horrible person. Is it possible to separate the artist from the art, or does the work have to be digested in the wider context of who it’s creator was?
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The amazing show ‘Kontrovers?’ At @kunstmuseumbasel asks these questions and many more, and is one of the best shows I have seen in a long time.
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I didn’t leave the show feeling like I had answers to any of these questions, as the curatorial approach was entirely non-didactic, so I’m interested to see what you all think.

2019-11-22 08:03:40


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